The Woman Who Said Yes and other poems
Salleh Ben Joned
The Woman Who Said Yes
Trembling with terror, he reached for her skirt;
The echo of the fierce voice in the cave
Still thundered in the depths of his soul:
"... from a clot of blood... the Most Beautiful..."
Unable to recite these dreaded words,
He was almost smothered in Its embrace.
When down the hill he ran, it was everywhere;
In front of him, above him—in his mind.
"Cover me, Khatijah" Devil or angel?
The sweat of terror drowned his certainty.
"Get inside me! And you'll know for sure."
He did — and terror burst into ecstasy.
The apparition withdrew with angelic tact,
His prophethood was confirmed in the act.
— —
Haram Scarum
Drinking, gambling, lying, bribery
— and all kinds of whoring too —
all of them perfectly okay.
And to hog it all’s not taboo.
All sins of course; but nothing really
a trip to the Holy of Holies
cannot fix for Eternity:
God blesses man’s enterprise.
But that — that’s different, untouchable!
We’re Moslems, and terribly Malay.
Some things are just unmentionable;
the rest are okay if we pray.
We’ll go the whole hog if we must
to redeem our pride as a race;
like the giddy hare in a rut
we’ll halal everything save that.
It’s hogwash what those swines say:
that we Bumis mount pig-a-back
like a pack of boars hacking our way
up the slippery slope of success.
Our one dislike we have to keep
to preserve our identity;
so long as we hate pigs and pray,
we’ll remain Moslem and Malay.
— —
Adam's Dream in His
As for poets, the erring follow them.
Has thou not seen how they stray in every valley,
And they say that which they do not do or feel?
Save those who believe and do good works,
And remember God much …”
- Quran, Surah 26, ‘The Poets’ (Translator M.M. Pickthall)
We have not imparted to this Prophet the gift
of poetry, nor would poetry have suited the message
-ibid, Surah xxxvi, ‘Ya sin … (O, though human being)
I am certain of nothing but the holiness of the Heart's
affections and the truth of the Imagination – What the
Imagination seizes as Beauty must be truth ... The
Imagination may be compared to Adam's dream – he
awoke and found it truth.
- John Keats
The rib – there's part of the rub.
did He, the Surgeon Divine, do it
or didn't He? His telegraphic words
as transmitted by His Last Messenger,
that illiterate tongue of The Heart,
inspired to speak in poetic
non-poetry, say nothing about ribs
or the rubs caused by a mere rib.
Even she, supposed rib of his rib
is dream desire sheer,
more wondrous than daylight
words could conceive,
with nothing for a name even
for one so dear.
Yet in that nothing is everything;
and in the denial of poetry's poetry,
He dreamt His Word
and woke up in our art
and thus was born the truth
in the fictive tongue of the heart
of the mind of mere poets.
After Adam dreamt his desire into being,
wine she offered first.
Then came that fruit.
There lies the meaning:
the dream within the dream within the dream –
His in his in his: the fall
into the valley, river and ocean of words;
the flow of language's desire,
its current, waves and undertow;
and the metamorphosis of gnosis
in the tongue of man into images,
oceanically real, concretely sensed,
conceived in the womb,
bowels and liver of life.
The rib's first, the earth's, and the fruit last;
wine before fruit and from the fruits,
the wine of life: the first becomes the last
and in paradise again the first.
Fullness is truly all; the ripeness
of faith's freedom in fate,
in heaven as on earth.
Those profane, blasphemous drunks
and true poets knew it:
they too dreamt Adam's dream.
Great dreamers they were in fact
and in fiction – each one
a believer in The Heart.
In the visionary valley of verse they wandered,
floating on wine, earthly and paradisal;
artfully making their lucid way, submitting
to the fall into the dark night
of the heart's wakefulness
towards what lies beyond poetry:
the unutterable Reality
Of the Dreamer of dreamers,
the Maker of makers.
From the womb of the supreme fiction
bleeds the cycle of love and hate, life and death;
the blessed curse of humankind,
whose secret meanings as recited by poets
Men and mullahs may misjudge
but not the Poet of poets.
Perhaps.
— —
Note from Anna Salleh:
‘Adam's Dream in His’ was first published in The New Straits Times in which Salleh specified the 'true poets' he refers to were Abu Nuwas, Hafiz and Omar K. This version of the poem is based on that which appeared in Adam's Dream (Silverfish Books, 2007).
— —
A new publication forthcoming November 2023 from Maya Press:
Salleh Ben Joned - Truth, Beauty, Amok and Belonging
SALLEH BEN JONED. Poet. Critic. Dramatist. Legend in his own lifetime. With a strong sense of the absurd, Salleh playfully challenged taboos on race, religion, language and identity, all with brutal honesty. In both English and Malay, he celebrated the mystical, the sensual, the beauty — and terror — of life itself. He pushed beyond conformist boundaries and paid the price. This book shines a spotlight for the first time, via his poems, prose and relationships, on the world view of Salleh Ben Joned.
Salleh Ben Joned (1944-2020) was a noted Malaysian poet and public intellectual who came to Australia as a Colombo Plan scholar in the 1960s and stayed for 10 years. He began at the University of Adelaide and later moved to Hobart to study English at the University of Tasmania under poet and literary critic James McAuley. When he returned to his home country, Salleh became known as a poet and columnist who delivered playful and well-read provocations on complex subjects such as race and religion. His brutal honesty and refusal to toe the establishment line meant that he was not officially honoured during his life as an important figure. Following his passing in 2020 however, the Malaysian press dubbed him the nation’s “uncrowned poet laureate”. Since then, there has been growing recognition of his contribution from those in the world of arts, literature, and academia. His legacy on younger generations of poets, writers, artists, and scholars is also becoming increasingly felt.